Off the Page
March 6, 2022 @ 4:00 pm - 5:30 pm

Tickets are $18 for adults and $15 for students/seniors (plus applicable fees). Available here!

COVID-19 POLICY: Proof of vaccination, proof of a medical exemption of vaccination, or proof of a negative pharmacy test within 72 hours, along with ID, will be checked upon entering the Westbury Theatre. Masks must be worn at all times, except when consuming food or beverages in the lobby while seated. Please note that proof of vaccination is not required to enter the ATB Financial Arts Barns Lobby, which houses the Fringe Grounds Café, the entrance to the Westbury Theatre, and SkirtsAfire’s art installation. Read more.
No Alcohol will be served at the Westbury Theatre during our festival events.
We invite festival patrons (as our respectful relatives) to hold a courageous space for Ayita, our MainStage Westbury production, by sitting with, and being present with an open mind and heart as did the ancestors of this land. There are medicines in the performance and in the lobby; works of art, stories and ceremony that require protocols and a clean space of no alcohol or substances.
What happens when you bring together storytelling, poetry, photography, history, feminism, creative non-fiction and theatre? What starts as words on the page is brought to life where we get to meet ordinary and extraordinary women in creative surprising ways.
Featuring:
Francesca Woodman: Some Photographs, Sounds, Questions
Catherine Owen
FRANCESCA WOODMAN: SOME PHOTOGRAPHS, SOUNDS, QUESTIONS
Francesca Woodman was an American photographer who lived from 1958 to 1981. This piece enters six of her photographs from 75-79, creates sound scapes from three of her recurring motifs and asks questions about the way we suppress our sexuality and how it traumatizes us as young women. The work will be performed with props, recitation and movements.
Catherine Owen is the author of 15 collections of poetry and prose. She also runs a podcast, performance series and magazine, and has undertaken solo shows such as Sister as well as collaborating with musicians, artists and dancers.
Interview History – Nellie McClung
Rooney and Punyi Productions

Interview History is a wonderful series of historical theatre pieces created by Rooney and Punyi Productions that has been touring communities across Canada, from huge international conferences to intimate living-room book clubs. Meet Nellie McClung (1873 – 1951) on of Canada’s greatest suffragists, a politician and an author who fought to get Canadian women the right to vote. In an interview-setting, hear about her fight against the plights of poverty, substance abuse, child abuse and misogyny, as well as her personal struggles with an overbearing mother, the death of a child, and her personal fight against a society that wanted to silence women.
Interview History – Nellie McClung was researched and written by Maureen Rooney and has toured across 3 provinces as well as NWT, performing to audiences of 800 at international conventions, as well as to small-town community halls and even in living-room book-clubs. Despite what we would consider today to be very colonial views, Nellie would be the first to admit that she was an imperfect human who made mistakes, she was a lively, entertaining advocate for women’s rights who has a good story to tell. And we love a good story!
Rooney And Punyi Productions (Using the performing arts to educate and entertain)
Entrepreneurs in educational theatre and recipients of the 2013 Mayor’s Lifetime Achievement in the Arts Award, Maureen Rooney and Paul Punyi are a husband-&-wife team who have acted professionally since 1979 with some of Canada’s finest theatres and in Film & TV (TNT, CBC, NFB, Family Channel, YTV). Rooney and Punyi Productions is an Alberta touring company with a repertoire of over 25 shows specializing in History, as well as Literacy and Environment shows and wonderful performing arts residencies for schools throughout the province. They have been commissioned to research and write many theatre pieces most notably; My Dear Sweet Maye … My Own Darling Sam film and live-theatre piece for the U of A, the Grand Opening of the Royal Alberta Museum for Queen Elizabeth, unveiling events at Rail-town, and City Hall, and Greisbach. Rooney and Punyi created a wonderfully unique historical event that took the audience by bus to a number of streets throughout St. Albert to “meet” the people for whom the street was named; Meet the Street was a highlight of St. Albert’s 150th celebrations. Other commissions include Rutherford & Tory for U of A’s 100th, Interview History – Irene Parlby for Alberta’s Libraries, and John Bosco, Albert Lacombe, Marguerite d’Youville, Marie Madeline for various centennial celebrations and Power-Up for Enmax, Rooney Punyi Tree Show for Arbor Day, Hats and Gloves, for Founder’s Day. Maureen is a member of the St Albert Potter’s Guild and tours festivals with a ladies quartet called Good Vibes. Also, Rooney and Punyi lead the St Albert Ukulele Circle, are members of a ukulele orchestra and they also tour seniors residences with a ukulele sing-along. www.rooneyandpunyi.ca
Photo by Wes Doyle
坐月子 Sitting the Month
Jia Jia Yong & Kathryn Gwun-Yeen Lennon
坐月子 SITTING THE MONTH
“坐月子 Sitting the Month” is a multilingual performance by Kathryn Gwun-Yeen Lennon and Jia Jia Yong exploring personal experiences and traditional knowledge in the Chinese custom of postpartum recovery. Bringing together memories and recipes, poetry and performance, research and reflection, “坐月子 Sitting the Month” honours the traditions and the generations of women in our lives who nurture and care for us, and reflects on how we adapt ancient knowledge to our time and place.
The Epic of Sassui and Punhun
Shumaila Hemani and the Sufi Collective
CANCELLED DUE TO UNFORESEEN CIRCUMSTANCES
THE EPIC OF SASSUI AND PUNHUN
Shumaila Hemani and the Sufi Collective
The Epic of Sassui and Punhun is an adaptation of a romantic tragedy from the Sindh region of Pakistan from a feminist perspective, addressing issues of social ostracization, shame, and trauma in the journey of the female character following her heart and dreams. This is a staged reading told through storytelling and music.
“Staying rooted within traditional forms and honoring those while also bringing in experimentation, Shumaila Hemani sings Sufi epics in South Asian Sufi tradition compellingly,” says Rebecca Bruton from the New Works Calgary. Praised for enriching Edmonton by Edmonton Journal (2015), Hemani is locally celebrated for her “mesmerizing” and “emotionally nerve-striking” music that carries “vocal virtuosity,” expressing “radically different inner existential visions” (Calgary Herald, 2015).