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Visual Art Exhibit

March 16 @ 2:00 pm - 4:00 pm

Details

Date:
March 16
Time:
2:00 pm - 4:00 pm
Event Category:
Event Tags:
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Venue

The Nina Haggerty Gallery
9225 118 Avenue
Edmonton, Alberta T5G 0K6 Canada
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Because of her, I am.

Open to the public, by donation, March 5-17.

Gallery hours are as follows:

March 4 | 2 – 2:30pm during our Festival Media Launch
March 5 – 6 | 10 am – 2 pm
March 7 | 10 am – 2pm & 5 – 7pm during our Opening Ceremonies
March 8 | 10 am – 2 pm
March 9 | 1 – 3 pm & 3 – 5pm during Peep Show!
March 11 – 13 |10 am – 2 pm
March 14 |10 am – 2 pm & 7 – 8:30pm during Words Unzipped
March 15 | 10 am – 2 pm
March 16 | 9:45am – 12:30pm, 2 – 4pm & 5 – 7pm during Festival Events
March 17 | 3 – 5pm during Festival Events

Gender is a social construction. For some societies, there are only two genders, male and female, compared to a Cree worldview of eight genders. Each gender has specific roles and responsibilities that contribute to the health and well-being of the community. Imagine a world where gender is fluid, complex, multidimensional and a living entity, expanding from our cosmic relations to our water relations. Come see the diverse views of her from five local Edmonton artists, exploring “Because of her, I am.”

Curated by Lana Whiskeyjack & Featuring:
Yong Fei Guan, Lauren Crazybull, Rebecca Lippiatt, and Rebecca Pickard

 

Rebecca Pickard is a self-taught mixed media artist from treaty six territory. She is a mother, educator, and a Métis woman with family roots in Baptiste Lake, Calling Lake, and Crane Valley, Saskatchewan. As a child, she travelled across Canada with her family several times and lived in many diverse communities, including a stint off grid in the boreal forest in northern Ontario. These experiences informed a deep sense of belonging to the land and an understanding that everything in nature is sentient and related. Her current body of work is a catalogue of reflections about the land and animal relations she grew up observing. In spite of the bright colours and whimsical nature in her paintings, she often feels troubled by the state of our Mother Earth and the future of life on the planet. Painting is a medicine that grounds her. It connects her to her identity as a child of the Earth, and reminds her that beauty, balance and healing is always present in the natural world.

 

Rebecca Lippiatt has been a professional and passionate photographer for the past 11 years. She seeks authenticity
through her lens. All of her work, from art to commercial photography is executed from a desire to serve her subjects and her audience with an open heart. Rebecca is actively involved in her community participating in the many arts festivals and is the photo
editor for the Rat Creek News.

 

 

Yong Fei Guan is a Chinese-Canadian artist and illustrator with a degree in Fine Arts from Emily Carr University of Art + Design. Guan explores multicultural identity, politics and their relationship to environmental issues in her work. She has been involved in public and community art projects, which include YEGmidautumn2017, YEGCANVAS 2015, and The Postcard Project 2013. Her exhibition, 塑胶狮 Su Jiao Shi, was a pair of contemporary Chinese guardian lion sculptures that Guan created from household plastic waste. For more information, visit www.yongfeiguan.com.

 

Lauren Crazybull is an Edmonton based Blackfoot, Dene visual artist exploring the tension and power within portraiture by examining the subtle relationship between herself and the subjects she paints. Through her practice, she identifies themes surrounding colonial trauma, healing and futures. Her illustrations have been featured in Canadian Art, The Walrus Magazine and others. Lauren’s work is informed by several years of justice organizing and advocacy for Indigenous people while creating audio productions to document and open dialogues on ongoing issues. For more information, visit www.laurencrazybull.com.

 

Curator Lana Whiskeyjack is a multidisciplinary treaty iskwew artist from Saddle Lake Cree Nation, Treaty Six Territory, Alberta. Among her early influencers and teachers were her mother’s and grandmother’s gifts in the traditional arts (beadwork, moose hair tufting, fish scale, moccasin making, quilting and sewing). Lana’s research, writing and art explores the paradoxes of what it means to be nehiyaw (Cree) and iskwew (woman) in a Western culture and society and how her and other indigenous women are reclaiming, regathering and remembering their ancestral medicine (sacredness and power).